The Portrait
Portraiture and figurative art are difficult subject matter. It is said to be the most difficult to learn---a reason why art schools still use the traditional practices of figure study in their curriculums. Since the Renaissance, it has been considered the best way to learn how to draw, and is why many artists continue to hone their skills today with open drawing/painting groups.
It teaches one to see and to understand. Different postures, features, and gestures allow one to perfect his/her artistry with practice. It teaches accuracy with proportions, color, tones, and perspective. Portraying the subject is done with technique and seeing. When I say "seeing," it's not what you "think" you see, but what you "actually" see, and the ability to interpret a 3 dimensional subject onto a flat surface.
The portrait is an artistic representation of someone. A portrait displays the likeness, personality, and even the mood of a person. Artists might attempt photographic realism or an impressionistic similarity in portraying their subjects. The inner essence of the subject is most ideal and is what most try to achieve.
Better known for my impressionist landscapes, I do work in portraiture and figurative art. Just not near as often, as the urban and rural landscape is more readily available. Working from life with models can be time consuming with searching and scheduling models for live sessions. While working from life is more admirable, working from photography maybe sour---but is an alternative way to hone one's craft. When using reference photos, one should use it for only that purpose---reference and not reliability. Cameras are not always accurate and have a hard time capturing details inside shadows and other elements in the subject being painted. There are ways around this, but it takes good practice in knowing, seeing, and making it applicable in your work.
If interested in a portraiture, here is some details in what I do. I offer sketch portraits, or complete paintings.
Sketch portraits are beautiful impressions of the subject being interpreted. Quick painting methods within a two or three hour time frame gives these pieces their unique and unfinished appearance. Each piece is done on an 11x14 toned surface. Whether in pastel or oil, they are the most economical option---priced for $300 (unframed).
Complete paintings are finished works of art done in a timelier manner. These paintings are impressionistic and more detailed. Multiple subjects for family portraits will have additional charges of 25% (for each additional portrait) of the regular price. Paintings are done on archival surfaces; pastels on acid free sanded paper, oils on gessoboard or linen.
Prices do depend on size. Sizes vary 11x14 and up.
For more information on commissioning figurative/portraiture art, visit
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